
Clothes tended to be very well looked after. The were patched and darned until they could no longer be repaired and then it was taken apart for a new use. The clothing of the poor is difficult to trace as there are currently no surviving garments and few artists recorded what these people wore. However, some artists had painted lower-class individuals. The only thing to consider is that the artist may lie to flatter or make the painting more aesthetically pleasing. Stitching may not be painted in, colour may have been added and also oils used in the painting may have caused the painting to become worn over time.
Some garments from the 17th century exist today and they would have been expensive or valuable to the people that owned them. Original garments give construction details. The clothes of the working class are expected to have been made in similar manner of cut and tailors would have used less expensive fabric.

Colours: Only natural dyes were available but they would have been able to produce a wide range of strong colours. However, the working class would have been limited in the colours that they could buy as they would not have had enough money to by clothes of a variety of colours. The dyes faded more easily then chemical dyes. Washed out muted colurs look better than harsh, strong, bright colours. People working outdoors and sleeping rough would have caused their clothes to wear faster.

Here is a photo of a young women who is dressed in the typical clothing of a working class women in the 1700's. We can see that she is wearing clothes with noticeable colour however they are still very dull. She is also wearing hat that was typical of working class women at the time. She is carrying a bag over her shoulder that would have been used by the working class women to carry their belongings.
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